Big thank you to every single person who has purchased or reserved our new record, Heliocentric. We put some bone marrow into this record and years of throwing lyrics at the wall and listening for echos back. Though I tend to write from my own personal experience I also hear my lyrics opening up more to feelings we all have. The lyrics are becoming less a study of my singular life and more a study on my friends, family, and society around me. So, lyrics matter to me a they are a vehicle of clarity, placing the emotion of the music in the right space in the mind to tell a story.
To avoid this kind of miscommunication, I have uploaded all of lyrics to Bandcamp next to each song. Make sure you heard what you thought you heard and check back at the title of the song for hints as to which memories to access on which songs.
1.In June 05:35
6.We Are Doves 04:57
7.A Bell 04:47
8.Just Read To Me 03:33
9.Flashing Gold 03:50
10.Before We Collapse 04:58
Digital Download – $10 USD
We are releasing records at Elastic Arts on leap year and you are all invited!
Tickets are $10.00 and doors are at 8:30 PM.
Doors open at 8:30 PM with sound healer, Jay Taylor creating a sonic landscape throughout the audience, which dovetails into the first song of Blow Wind Blow’s set at 9:00 PM. The show continues with projection, and light play by light artist Rachel Winslow and filmmaker Brian Wilson. Heliocentric, the first full-length vinyl record, will be self-released by Wooden Rings, was made possible with generous support from the 3Arts Foundation, support from our gorgeous listeners, and was pressed locally at Smashed Plastic.
I am so happy to announce that Wooden Rings has completed the recording, mixing, and mastering phase of our first full-length record, Heliocentric. We could not have done it without the never-ending support, care, and love of our close friends and family. We also had 50 amazing donors who chipped in to press our dreams into reality (thank you). The next steps include sending the masters and artwork to a record printing company that will take 10 weeks to carve it out into dead dinosaur disks. We should be performing and releasing the record in the winter hoping that the music con offer us some warmth.
Honestly, listening to the Sides A and B of this record transports me back into myself – to sit with my ideas- all wrapped in memories. I thought I’d share:
I remember my house and my mother living in Haiti. The air, the kennepas, and flowers but most of all, I remember my grandparents. They created Heaven for us in their homes in the mountains. Both died during the writing of this record. I was able to fly to my grandfather’s funeral, thanks to my father. My grandmother died a couple of weeks ago but Haiti is so violent I could not travel to see her. They were our family’s last true grounding point to the country my mother and I fled.
Fleeing leaves you lost and empty. As a boy I was so unsure of myself because I knew deep down, I didn’t belong. I missed and needed my family and I didn’t realize it. Nobody told me what was missing was my people scattered across the globe. Even now, I see my mother once a year and my father, less. This lack drove me to build family early, have a child young, and marry twice. I had no idea why I needed to do what I was doing. Some of these songs explore that plainly. This is the most important thing I’ve learned from playing in Wooden Rings since 2012.
Continuing to listen, I remember how much I loved my ex-wife and how amazing and beautiful she is. I believed in her more than anyone. Knowing how bad things had got between us, I am also reminded of how selfish and insecure I was and how I couldn’t be any better than I was. We were like two kimono dragons in house, two Qilins. I remember my daughter growing taller into the world with my cooking, challenging my conversations at the table, and testing herself carefully, listening to it all.
I remember how hopeless I felt working as a teacher, giving everything I had to others all day, with so little to bring home or share. I was good at it. My students flourished. Some died- shot. I attended only one funeral and decided, one would be all I was going to give. Writing this music was a way I could survive all of those ideas so I didn’t have to forget the memories. Those I could enjoy without being hurt by them over and over. Those I could keep without being poisoned.
The year is almost over and I’m so glad that I get to walk into winter with some Haitian sun, peaceful doves, my mother’s face, and some sugarcane rind to keep me warm.-Ramah
We reached our goal and exceeded our expectations for our campaign with 3Arts Foundation to fund our first full-length vinyl record, Heliocentric!
We can’t thank our friends and family enough for their generosity and care. Check out our donor page and give them hugs at random when you wee them.
In other news: We complete our final vocals in two weeks and give the project away to mix and master at Coda|Room Audio. Once that’s done, we shop around for a company to press our vinyl and argue over the album art. I can’t wait!
Lastly, we are in the process of booking shows all over the midwest. If you know a place that we should play or live somewhere we should visit, especially if we can crash on your couch, hit us up via email.
It can’t be overstated how much the creativity and technical prowess of Joshua Torrey and Keith Bjorklund have brought to some of these tracks. Keith plays oboe, a rare instrument to see on stage with a four piece back playing some diet form of rock. But when I close my eyes I hear lines that fit the instrument perfectly and lines that Keith effortlessly draw in and masterfully pushes out.
Josh Torrey not only brings the chops and tone on the trombone but also has an excellent ear. I could sing parts out to Josh, he would transcribe them and arrange them with clarity. I really could not make the work, the way I hear it with out these two guys.
We are only 10% away from our goal and really need your help! With this money we commit our music to vinyl and pay our Grammy Award winning engineer.
Please support our work and listen to the story of our album at https://3arts.org/projects/heliocentric
Meet Josh joshtorrey.com/
Meet Keith keithbjorklund.com/
Liz from Wooden Rings here, I would like to share a bit about my journey with the band so far.
Music has always been a part of my life but I never dreamed I would be making music as an adult. What’s more, I never imagined I would be part of a band like this band – the music that we make is unconventional and challenges me every time we play. I’ve always been drawn to harmonies, and we create some weird and beautiful ones. I am really excited and proud of what we are creating.
Ramah introduced the song In June in a post earlier this week. This was initially my favorite Wooden Rings song – the lyrics are visual and the feeling created by the music changes throughout the song. Over the last year, we have been working on a couple of other songs that are included on this album that I now consider my new favorites! We can’t wait to share them all with you.
Please consider helping to fund our album by donating here: https://3arts.org/projects/heliocentric/
This image was captured from a music video Wooden Rings is producing for a song called, In June. The lyrics start us in the dark winter apartment in Chicago. It’s the type of winter that holds you hostage in your apartment, studying the drab walls, drinking too much, sick from cabin fever.
In that state, my mind is hypersensitive to sounds, like the sharp cracks and resonant metal screams of radiators in the lead-draped apartments I could afford. They found their way on this record. The music then shifts into nostalgia- longing for the tropics, vivid fruit and loving family, for the warm sun and the god in my grandfather’s garden. When my grandfather passed away, I was able to go home and taste it all again, laying him to rest.
This song will open our first new full length record, Heliocentric. Help us press it to vinyl bust supporting up here and sharing this post with friends and family. https://3arts.org/projects/heliocentric/
Thanks for making the leap,Ramah Jihan
Streaming is one of those songs that throws around a lot of rage about technology that has become so mainstream, it’s increasingly viewed as a basic human right rather than just another accessory for purchase. The song responds with “alarm” to decreasing day-to-day connection substituted by social media, distance gaming, and endless, meaningly, cucumber challenge videos.
Streaming reinforces that Wooden Rings is humanist and recognizes making music together as a human activity, worthy of their time, and somehow better for everyone than just giving up in front of the screen night after night. The song is featured on the new full length record that Wooden Rings is preparing to release named, Heliocentric.
Please help us press this record to vinyl by donating at the link below. If you’re broke and still want to help please share this link with your friends and family. https://3arts.org/projects/heliocentric/
Thanks for thinking of us,Ramah Jihan
We are excited to announce that Wooden Rings is partnering with 3Arts to complete our first full-length album, Heliocentric.
We ask you to please help us bring this album to light by donating to our campaign. We are attempting to raise $3333 by August 15th to commit Heliocentric to vinyl and make it ubiquitous on streaming platforms. If you can help us meet our goal, the 3Arts Foundation has agreed to cover the rest of the costs.
Those who know us well understand that our bone marrow has been woven into the art on this record. We believe that our sacrifices will make this release not only meaningful to us but to our listeners as well. With this work our aim is to connect with a broader audience without sacrificing the complexity and emotional range that make Wooden Rings so impactful.
Please help spread the word by liking and sharing our posts with your friends, family, and music-loving communities.Thank you for supporting us,
Ramah, Liz, Sasha, Nathan